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John Walden, left home 20 years earlier and has been "passing" as white in a town where no one knew of his background. He returns home to take his now grown sister back with him so she too can live a life as a white woman. He even goes so far as to find her a suitable white man to marry. Unfortunately, she can not get over the young black man she left back home.
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你sha不sha 2022-04-07
其实想看1925原版的The House behind the Cedars的,Chesnutt到底为啥对Micheaux的改编不满意啊?过于保守了吗hhhhh反正现在这部也是残片,单从已有的叙事来说没逃掉导演惯用的Blackness self-assurance和miscegenation主题,女主仍旧是坚强又勇敢(Lucille Lewis会演!)外加标配歌舞段记录。区别可能是Fayetteville比较upper class(也许是原著的原因)所以人物对话的主题都好高级哦【uplift philosophy对非裔来说是个myth,就跟light skin在银幕上的呈现也不能改变Blackness stereotypes一样
Cinema is dead 2020-03-04
1.直到这一部Micheaux才算终于适应了有声片的拍摄,不再为对白和录音牺牲**和强求对话场景,构图好了不少;虽然现存影片缺了不少东西,但还是能看得进去。2.Micheaux再次在混血的话题上做文章:浅色混血女主要在富有的浅色黑人和深爱的深色男友间抉择,故事设计是水准以上的。3.最后的踢踏舞也很喜欢,这才是在剧**中加入歌舞的恰当方式。
月微忆 2017-02-06
好尴尬,看完才知道女主是黑人。这种黑白片我连黑人白人都分不清…… 还记了一堆黑人与白人在荧幕上接吻的笔记!!